Elena Conis – How to Sell a Poison

Event #3

The talk was about a chemical called DDT, and how we had to stop using it. There was a disease called West Nile Virus that was affecting adults and birds. Insects were transmitting it as well and the authorities had to stop this disease using pest control, and by using chemical pesticides. Helicopters sprayed New York City with this chemical and many locals protested, as the chemicals could be dangerous. The chemical, DDT, didn’t help at all and the disease kept spreading, but the authorities used it again to take away the disease. This was widely unappreciated by the citizens.

DDT was a chemical made in World War 2, and it was used in bombs to kill insects and protect crops. It wasn’t said to be toxic toward humans or animals. It was used as a pesticide by farmers for a long time, or to kill insects in gardens. DDT was resistant to breaking down, and stayed in the soil it was used in. This eventually became hazardous and in about 1980, DDT started accumulating a lot and building up in animals as well as top blooded predators.

Scientists were discovering that DDT was having adverse long term effects in humans, and studies showed that it caused cancer. It was finally banned because of its harmful effects to the environment and to humans. It has still not fully gone away. DDT is used as an example of requiring good regulation and planning against the pandemic or denying vaccination.

I was shocked and surprised by the method the authorities used to spread the chemical, by sprinkling it over NYC. I didn’t know a method such as that could be approved, especially when it is over a city with actual people. I also learned that it was used in bombs to protect humans from harmful pesticides during World War 2, which I found interesting.

A Dive Into Sustainability

Event #2

On Tuesday, November 29th, Dr. Ramu Damodaran visited Muhlenberg to give a talk about the future of sustainability in the United Nations. Called “Hope, Opportunity and Despair: Speculating The Future of United Nations’ Sustainable Development Goals”, it took place in the Great Room at 7 pm.

This lecture mainly focused on the future of sustainable development goals in the United Nations. Dr. Damodaran talked about the different factors that destabilised the world and how the United Nations as well as citizens can help change the world. He went over the step by step goals of the United Nations, especially related to the UN department of global communication and how there are many oversight in relationships between nations amongst themselves and with the UN. We were given a brief history of Dr. Damodaran’s past, and his achievements and the great work he’s done un India as well as internationally. He also introduced the concept of using Artificial Intelligence in the United Nations, and how we should use every resource available to work towards a more sustainable future.

I learnt a lot about the history of our world, like how the first homeopathic clinic was established in Pennsylvania, and that the first railroad in Spain links Barcelona and Macao. I also learned more about sustainability and how the United Nations works.

The Study Abroad Fair

Event #1

The Study Abroad fair took place in the Great Room on the 13th of september, and I decided to go check it out even though study abroad was very far ahead in the future for me.

It was already packed with people, and I spotted various stations with different countries being advertised with the programs they offered. I went around and spoke to many people, asking about the programs they offered to see if there were any possible ones. I was mostly interested in ones related to neuroscience and medicine, and was actually surprised by the abundance of them.

I found courses most interesting in The Netherlands and Scotland. The one in The Netherlands was at the University of Amsterdam, and offered a course in medicinal research. I also liked the course at Scotland, which provided a course in neuroscience. It even included weekly trips to neighbouring places like Denmark and Germany. Another one that caught my eye was marine biology at Athens.

I really liked the fair, and look forward to going again next year and starting to more concretely decide where I was interested in going.

Reading Ourselves: Our Writing Portfolio

I think my writing has come a long since the beginning of the semester. I read the first essay I had written, about the Allentown fair, and I immediately felt a bit of embarrassment take over me at the way I had written it.

In most of my previous writings, I wrote like a machine. As if I had a couple of bullet points that I strung together to make a paragraph. Like the beginning of the Allentown fair essay, “It was my first time visiting the Great Allentown Fair. Before I visited, I was wondering why a small town fair from Allentown was called “Great.” But after going to it, I understand the reason why that word was used.” While it is not an atrocious excerpt, it does break into parts weirdly and just feels extremely disjointed.

Forward to my forward essay, and I really like how I phrased some of the sentences and coveted my thoughts about the main topic. For example, the sentences “The women are nothing but tools for the story to have a forward moving plot, and the text clearly shows the viewer that the women are inferior beings to the men by how they are treated. It is almost as if the kings are entitled to have loyal and faithful wives, but they are not held accountable to the same rules when they can have multiple mistresses and wives. This degrading treatment puts across a message of how it is okay for men to treat women this way, and how they deserve abuse because they are beneath men.” Looking back, it is a huge jump in how I might have phrased this sentence originally, had I written this essay at the beginning of the fall semester.

I also quite like how I wrote about how my passion for Enid blyton books started, because that story is one close to my heart. It was the 13th of September free writing, and one particular thing I had written was “I realized the hidden beauty in living in a boarding school, and I started wanting to go to a boarding school in the suburbs of England too.” I like how I integrated that with the rest of the ideas and concepts I was talking about.

I think I am able to express most in the free writings and in class writings. Without the constraints of academic writing, I’m able to be most in my element during free writes. Also, the topics we discuss are so open I can integrate so many different things and just see where my writing takes me. It’s almost like putting your regular thoughts to paper, and see how they fluctuate the further you go.

Like if you take these sentences into consideration “I also thought the age of jasmine when she was being given off to marriage was extremely young. She was 14, and Aladdin probably the same age, so it’s so awkward and disturbing to see a father want to give off his 14 year old daughter to marry some prince who could be of any age. Jafar wanting to marry Jasmine was also extremely uncomfortable to watch. Another thing that was odd was the whitewashing of Aladdin.” You can see how I jump from one topic to another, but I wouldn’t change that because it represents my inner monologue of sorts, and shows the reader how my thought process happens. 

I think that my writing has vastly improved, a lot because I was forced to write in areas and in a manner I was unfamiliar with. I hadn’t really done academic writing before so it was nice to take a dab at that.

Overall I think my writing has definitely improved, and I hope to continue making progress in the future.

The Thief of Bagdad

The Thief of Bagdad is a simple, but engaging story set in Arabic times. It imitates the setting of Aladdin, and there are many parallel to the characters of Aladdin. I liked the simplicity of the story, and the comedic moments that were surprisingly funny. I liked how Aladdin and Abu’s friendship is deep and how they are so loyal to each other. The scene where the King rides off into the sky on a horse was very…special. Imaginative. The story is told in a way of a beggar revealing his past in the form of a story, and how he was cheated of his title as King Ahmad, and how his best friend was turned into a dog. He is blinded, and never meets the love of his life ever again. The story stops at a crucial moment when his love is going to be married off to Jaffar, the evil king who is behind all the bad deeds. Hopefully, Ahmad can stop Jaffar and marry the love of his life, with Abu by their side.

Jasmine who? It had always been Genie

Aladdin looked at the huge Genie in front of him. It was love at first sight. The beautiful blue skin, the tantalising horn shaped beard, the smooth voice, Aladdin couldn’t find anything he didn’t love about this ethereal being in front of him.

The Genie looked down at Aladdin, and couldn’t help thinking that Aladdin was the most gorgeous human to have ever called upon him. 

“I know this might be premature,” Aladdin breathed, “But I think I am in love with you.”

The Genie felt tears fill his eyes, and he wiped them away with his faux hands. 

“I am but a spirit, so I am yet to know what love feels like, but if it is as magnificent as people say it is, then what else can I call what I am feeling right now?” He sobbed, and Aladdin nodded solemnly, Abu looking over his shoulder with new found intrigue. 

“I thought I was in love with the princess.” Aladdin said, and then shook his head. “I couldn’t have been more wrong. That fleeting infatuation is nothing compared to what I feel when I lay my eyes on your blue mist of a body. If only…” Aladdin paused, and looked up at the genie. “If only you were a human.”

Genie looked down at Aladdin, and felt warmth expand in his chest like a slow growing fungus. “You have 3 wishes. Use them wisely.”

“I wish… you were a human.” Aladdin said, eyes full of hope.

“Your wish is my command.” The genie bowed, and his trailing end of smoke slowly morphed into two legs, and his body changed to the proportions of a human. “Aladdin, we must have been lovers in the past to already have such a strong connection.”

“So true.” Aladdin nodded. “Listen, we should like, get married.”

“But Aladdin, we can’t. You know the laws.” Genie sighed.

“I will not have anything in this world stop me from marrying you.” Aladdin said gravely. “My second wish is for the two of us to get married.”

“Oh Aladdin, you are so romantic.” Genie wiped a tear from his eye. “If that is what you wish, I shall grant it.”

The genie whooshed his hand, and a second later they were… standing in the same spot.

“I have created a world where anyone can marry anyone.” The genie smiled, and Aladdin looked at his ring finger, encircled by a breath taking blue ring.

“I want to be with you forever.” Aladdin smiled, and Genie nodded. 

“Nothing will ever tear us apart.” 

Abu, from the side, stared at them, and then a shiny object caught the side of his eye. It was a beautiful gemstone, a ruby, which seemed to be calling Abu’s name.

His monkey paw reached for the ruby.

Genie, who saw it from his peripheral vision, felt a cry rip out of him. 

“ABU, NOOOOOOOOOO-“

But Abu was a monkey, and when a monkey wants something, a monkey gets it.

Abu’s fingers wrapped around the red jewel, and Aladdin felt his knees give away, having turned to jelly in horror.

As soon as Abu’s fingers touched the ruby, and entire cave started shaking. The roof gave away, speeding towards the ground.

Genie, who would usually be able to save them, realised too late that he was a human now, and because humans are more fragile than a paper plate, he was crushed by the falling debris in 2 seconds flat.

They all died, but at least, Aladdin and Genie will always be together, not even parting at death, and Abu also with them because that’s the way it is.

Representing “the Orient” : The Problematic Side of The Arabian Nights

The Arabian Nights is a short story collection that originated in the Middle East but soon became popular worldwide for its stories. Not only has it spread in its original form, but many adaptations of it have been made, including movies and television shows. Over the years, many people have debated on the different aspects and translations of the Arabian Nights, and have come to the conclusion that there are many problematic things with it. Taking certain excerpts from the Arabian Night texts, they show the reader how The Arabian Nights actually has elements of sexism and racism integrated into it, which are both subtle and prominent. 

Reading a paragraph from the Arabian Nights, “Then they sat down, took off their clothes, and suddenly there were ten slave-girls and ten black slaves dressed in the same clothes as the girls. Then the ten black slaves mounted the ten girls, while the lady called, “Mas’ud, Mas’ud!” and a black slave jumped from the tree to the ground, rushed to her, and, raising her legs, went between her thighs and made love to her [Haddawy 38]”, the text shows the underlying racial condescension towards the characters. The text refers to the black slaves without any gender specification. It was just assumed that the black slaves were men. The other slaves, probably presumed to be white, were women, and the black men were dressed up as women as well. This is problematic because every single slave who is sleeping with the king’s wife and all his mistresses has been explicitly said to be Black. The image this portrays is clearly derogatory because it tells the reader that Black individuals are lesser in value than fair coloured men. It is the fair coloured men in positions of power and it is the black men who are the slaves and being used by the women for infidelity. This villainizes the Black individuals and makes them out to be “sinners” in the story. This gender and colour distinction comes across as extremely racially biassed and ignorant. Not only that, but it is degrading for both women and men of all colours to be written about like this. 

It is degrading for women because in both circumstances, the reader can observe that the one who committed the act of infidelity was the wife. The women in the story have been put across as people who are evil and destined to cheat on men. The text says “How will it be and what will happen behind my back when I go to visit my brother in India? No. Women are not to be trusted” [Haddawy 33]. The generalisation of women and saying that all women are not to be trusted is an incorrect notion that should not be encouraged, but it is further delved into when the king’s brother’s wife also ends up committing infidelity. 

The women are nothing but tools for the story to have a forward moving plot, and the text clearly shows the viewer that the women are inferior beings to the men by how they are treated. They are portrayed as foolish, sex seeking animals, witch having no goals or ambitions except to sleep with every man except her husband, which, really, tells the readers much more about the husband’s capabilities than the wife. Both women are clearly shown as stupid and idiotic, with not even an iota of intelligence considering the fact that neither of them particularly did anything to hide their infidelity except for basic disguises, like dressing up men in girls’ clothes and hiding in a tent. Not only one, but two kings having gone years without noticing these excursions happening right under their noses and still having been able to successfully rule an entire kingdom is baffling. 

It is almost as if the kings are entitled to have loyal and faithful wives, but they are not held accountable to the same rules when they can have multiple mistresses and wives. This degrading treatment puts across a message of how it is acceptable for men to treat women this way, and how they deserve abuse because they are beneath men. Especially the scene where the king kills his wife and the cook she cheated on him with, by throwing them in a trench. He is portrayed as someone who is acting morally right, and that the wife and the cook deserved to be killed. It is obvious that is not the case, as they do not deserve death for committing that sin, even though it is a grave sin. This ruthless killing of the wife is just a plot point for the main story. We get no information about the wife except on her sexual escapades whereas we get tons of information about the King. Even though he is the main character, you can see the same happening when he goes to meet his brother, when you get background and relevant information about his brother, but the only thing conveyed about the wife is how she has a passionate orgy with black slaves.

This also delves into the power dynamics that exist within the community, and between royalty and common people. Murder was an act punishable by death as well, so technically this makes the King a hypocrite for not abiding by his own laws. The text shows us how the Royalty are exempt from many of the rules and laws they lay down by themselves. This was prominent quite a bit in that era, but when you think about it, it is a reflection of how our modern day world runs as well. Taking into consideration how these days politicians, people of power and business conglomerates act, with their entitled attitudes and hypocritical views, can we really call ourselves better than how kingdoms were run back then? Especially considering the condescension modernity holds to past Islamic communities? 

The Arabian Nights, though one of the most well known collections of folk tales in this day and age, is still with its own package of problematic themes, and many of these aspects have even been heightened by translators, especially those from Britain and France. The translators made the prose more sexually explicit and increased the levels of racism towards not only Black people, but also Jews, Persians and many more ethnicities and cultures. It is evident that many of the details in the modern day The Arabian Nights have either been forged or unnecessarily been increased in severity. The Arabian Nights will always be popular, but keeping in mind its wide outreach and influence, it is important for people to know the adverse impacts it has had and can have on gender and race. 

Reel Bad Arabs

What immediately struck me was the mention of Arabic women often times being more than the Arabic men in universities. This reminded me of my Arabic friend and how he said that the women’s side of the university campus was much bigger than the men’s side. I was also shocked by how graphic some of the practices were and how so many men were tortured like that. Seeing them bloody and beaten on the ground while they cried in pain was really sad. I also was shocked by the scene where the Arab girl has her gun pointed to the soldiers and was shooting too. It was extremely disheartening to see how she was made so inhumane, and Hollywood portrayed an innocent, handicapped girl as someone of evil and threat to the entire US army. I can never agree with the US army actually killing not only the men and women, but to go so far as to massacre the little children. I think showing that the US army was morally right and it was a necessary evil is a disgusting thing to do by Hollywood and I’m appalled it was even allowed to play on a big screen. Apart from what I don’t really have anything else to say except for how I agreed with Mr. Jack on most points, and I think that he made a very detailed analysis on the portrayal of Arabis in media history. Hopefully what he said in the end was true, and more people will come forward with humanising Arabs and making sure they aren’t portrayed like this anymore.

Formal Essay #1 – Rough Draft

The Arabian Nights is a short story collection that originated in the Middle East but soon become popular worldwide for its stories. Not only has it spread in its original form, but many adaptations of it have been made, including movies and television shows. Over the years, many people have debated on the different aspects and translations of the Arabian Nights, and have come to the conclusion that there are many problematic things with it. Taking a certain excerpt from the Arabian Night texts, it shows the reader how The Arabian Nights is actually has elements of sexism and racism integrated into it, which are both subtle and prominent. 

Taking into consideration a small excerpt from the Arabian Nights, “Then they sat down, took off their clothes, and suddenly there were ten slave-girls and ten black slaves dressed in the same clothes as the girls. Then the ten black slaves mounted the ten girls, while the lady called, “Mas’ud, Mas’ud!” and a black slave jumped from the tree to the ground, rushed to her, and, raising her legs, went between her thighs and made love to her [Haddawy 38], the text shows the underlying racial condescension with the characters. The text refers to the black slaves without any gender specification. It was just assumed that the black slaves were men. The other slaves, probably presumed to be white, were women, and the black men were dressed up as women too. This gender and colour distinction comes across as extremely racially biassed and ignorant. Not only that, but it is degrading for both women and men of all colours to be written about like this. 

It is degrading for women because in both circumstances, the reader can observe that the one who committed the act of infidelity was the wife. The women in the story have been put across as people who are evil and destined to cheat on men. The text says “How will it be and what will happen behind my back when I go to visit my brother in India? No. Women are not to be trusted” [Haddawy 33]. The generalisation of women and saying that all women are not to be trusted is an incorrect notion that should not be encouraged, but it is further delved into when the king’s brother’s wife also ends up committing infidelity. 

The women are nothing but tools for the story to have a forward moving plot, and the text clearly shows the viewer that the women are inferior beings to the men by how they are treated. It is almost as if the kings are entitled to have loyal and faithful wives, but they are not held accountable to the same rules when they can have multiple mistresses and wives. This degrading treatment puts across a message of how it is okay for men to treat women this way, and how they deserve abuse because they are beneath men. Especially the scene where the king kills his wife and the cook she cheated on him with, by throwing them in a trench. He is portrayed as someone who is acting morally right, and that the wife and the cook deserved to be killed. It is obvious that is not the case, as they do not deserve death for committing that sin, even though it is a grave sin. This also delves into the power dynamics that exist within the community, and between royalty and common people. Murder was an act punishable by death as well, so technically this makes the King a hypocrite for not abiding by his own laws.

The Arabian Nights, though one of the most well known collection of folk tales in this day and age, is still with its own package of problematic themes, and many of these aspects have even been heightened by translators, especially those from Britain and France. The translators made the prose more sexually explicit and increased the levels of racism towards not only Black people, but also Jews, Persians and many more ethnicities and cultures. It is evident that many of the details in the modern day The Arabian Nights have either been forged or unnecessarily been increased in severity. The Arabian Nights will always be popular, but it is important for people to know the adverse impacts it has had and can have on gender and race.

Analysis of Ernst

Ernst’s overarching argument, according to me, is that “The West is hypocritically ignorant to the cultural diversity around them even though aspects of their very life have stemmed from said cultures.”

Ernst claims that there really is no concept of “The West” anymore considering there are so many Asian-Americans and Asian-Europeans.

He also says that European prejudice against Islam and their “deep repugnance” for Islam might be an explanation or a justification for why they were colonisers. 

He also talks about how Christian writers portray Islam in a much more extreme and negative way, so much so as including lies in what they write. He gives an example about Muhammad, the God for muslims, and how his death was portrayed in a horrifying way. It is taboo for muslims to eat pork and drink alcohol, so many christians write about how he died while being drunk or that he died due to a pig attack. He then mentions how in other tales by muslims, Muhammad is portrayed as a God of forgiveness, and the most compassionate one.

I think this claim matters for the larger argument because it perfectly shows how The West are ignorant towards religion and culture, and yet write and read about them in a way that portrays said cultures in a negative or derogatory light. Christianity itself is said to stem from Judaism, so it has an “asiatic” origin. This makes the christian writers very hypocritical of the wrong things they choose to do with what they write, and I believe this is what Ernst is trying to tell us.